Going Global

Korean Webtoons and Manhwa

Course 1 · Chapter 7 · Going Global

Chapter 1 said official English translations of webtoons began in July 2014. This chapter follows what happened next: the launches in other countries, the different ways platforms handle translation, the services that closed or merged, and the argument about unofficial translation. The sources report both expansion and retreat, and the chapter keeps both in view.

How this chapter was checked The facts here come from Wikipedia's articles on Webtoon (its "Outside of South Korea" sections), Webtoon (platform), Kakao Webtoon, Piccoma and Scanlation. The Scanlation article is mostly about Japanese manga, and I read only the passages that mention Korean comics. I read no market reports, no accounts from translators or fans, and no statements from the platforms, and every date and figure is an article's claim. This chapter does not recommend where to read unofficial translations, and only reports what the articles say about them.

The Platforms Abroad

WhereWhat the articles say
Global launchLine Webtoon launched worldwide on 2 July 2014 and "was changed to Webtoon in English" in 2019, with Spanish and French versions (platform article). Naver chose the name Line partly because "the Naver brand is not well known outside of South Korea".
JapanNaver's service entered the Japanese market in 2016 as XOY; on 18 December 2018 it was closed and its content "migrated... to Line Manga" (platform article). Webtoons in Japan "were slow to catch on... mainly due to the traditional manga industry"; Japanese web manga "are often in black-and-white" (Webtoon article). Kakao's Piccoma carries Daum and KakaoPage webtoons in Japanese.
China, TaiwanNaver entered China in 2016 as Dongman Manhua (咚漫漫画). The Webtoon article says webtoons and web manhua have grown there and that "almost all of the big webtoon portals in China are offered by the big internet companies in the country".
IndiaLine Webtoon's 2014 launch "was the first go to app that introduced webtoons in India". Kross Komics, founded May 2019 in Seoul, offered 40 translated Korean titles in English, Hindi and Telugu and reported "1.1 million monthly active uses" in July 2021. Kakao Entertainment acquired it in 2020, and the article says it closed in 2023. Kakao continued with Tapas, whose "daily transaction volume exceeded 200 million won" in 2024.
Southeast AsiaIndonesia, Sri Lanka and Thailand "have become big markets", with Naver (as WEBTOON) and Comico offering originals and translations. Some local webtoons (Eggnoid, Teen Mom) were translated abroad. Vietnam launched Vinatoon, which offers titles from Daum Webtoon.
West"Many webtoon publishers have had success... with the biggest successes being the United States and other English speaking countries" (Webtoon article); Webtoon had "12.5 million monthly active users" in the U.S. as of March 2023 (platform article, Chapter 4).
Dates that don't line up The Kross Komics passage says it "launched the first dedicated Indian webtoon portal in 2020", but also that its app was released on 7 December 2019 and that the company was founded in May 2019. It may be that 2020 is a wider launch, but the article does not say. Likewise, "Kakao Entertainment was planning to enter the Indian market after its acquisition of Kross Komics in 2020" sits beside "from Q3 2022, Kakao Entertainment will provide webtoon content", in a text that mixes plans and outcomes without dates.

Advances and Retreats

The same articles that record expansion also record withdrawal:

  • Naver closed XOY in Japan in December 2018, two years after launch.
  • Kakao's Piccoma launched a French service on 17 March 2021, and announced on 27 May 2024 that it would "cease all its operations" in Europe, with the service ending on 30 September 2024. The Piccoma article's stated reason is "a desire to downsize or shut down unprofitable overseas units".
  • Kross Komics closed in 2023.
  • The Kakao Webtoon article, as Chapter 3 noted, says that since October 2024 Kakao began shutting down webtoon services globally, and that on 22 September 2026 it announced it would shut down Tapas and merge Kakao Webtoon into KakaoPage.

Taken together, the articles show that "going global" was not a steady rise. Some services were closed within a few years, and an article's reason for a closure ("unprofitable") is the article's wording, with no company statement quoted.

Translation: Three Models

  1. Translate in-house. "Lezhin Comics, Toomics, Manta, and WEBTOON translate their own titles rather than licensing them out."
  2. License translated works. "Spottoon and Tappytoon offer translated licensed works from various publishers"; Delitoon "provides French translations of licensed works, mostly Korean titles".
  3. Fan translation inside the platform. "WEBTOON offers the ability for fan translations to be offered in different languages." This is the only mention in the articles I read of fan translation as something a platform itself provides.

The Webtoon article also notes a fourth practice: reworking for print. Where it describes "printoonized comics (a portmanteau of 'print' and 'webtoon')", it says they are "completely restructured to achieve dynamic storytelling akin to the best action manga, moving away from the native vertical scrolling narration". It adds that, "thanks to printoonization, the comic Solo Leveling has sold over 900,000 copies of its first six volumes in France". That is a sales claim with no source, period or publisher named, and the causal "thanks to" is the article's.

The platform services also grew new ones. TopToon's TopToonPlus launched in July 2021 and "gained over 200,000 subscribers" in its first month; it was rebranded DayComics in 2023. In 2022, Kakao Entertainment "merged with Radish Media and the aforementioned Tapas to form a single entity", to serve "the US market". There has also been "a rise in the creation of original non-Asian webtoons", through sites that let anyone submit their own work. So webtoons are no longer only Korean works translated: the format has its own foreign-language creators.

Piracy and Unofficial Translation

Chapter 1 recorded that "prior to 2014, most webtoons were only available in English through unofficial fan translations", and Chapter 3 that the platform article says Naver did not join a 2012 crackdown on illegal sites that had copied its content for eight years. The Scanlation article defines scanlation as "the fan-made scanning, translation, and editing of comics from one language into another", done "as an amateur work performed by groups and... nearly always done without express permission from the copyright holder". It says the term "is mainly used for Japanese manga, although it also exists for other languages, such as Korean manhwa". On the Korean side it reports:

  • In 2020, the artist Haesin Young "threatened legal action against a piracy website".
  • In 2021, Lezhin "said that they are working with law firms to bring legal charges against manga piracy sites, after accusations from several manhwa authors, including manhwa artist YD, that scanlation causes authors to lose money and motivation".
  • "The Korean government and Interpol initiated a three-year-long cooperative investigation in April" (the passage I read gives no year) aimed at people distributing pirated or illegally translated comics, cartoons and novels.
One side of an argument The passages I read set out the creators' and publishers' side: lost income and motivation, and legal action. I did not read the fan side or any evidence on how piracy affects sales, and the articles I used do not weigh the two. The facts in this chapter that bear on it are that official English translation did not begin until 2014, and that platforms have since added both paid licensed translation and, on one platform, a way for fans to supply translations inside the system. Whether piracy "loses" money, and how much, is a claim these sources do not measure.

Reading a Claim About Going Global

  1. Launch or still running? Check whether a service named in an article has since closed or merged.
  2. Whose reason? "Unprofitable" and "popular" are the article's words.
  3. Which country and which measure? Downloads, monthly users, subscribers and transaction volumes are different things.
  4. Official or unofficial? A translation's status changes what a claim about readers means.
  5. What is the other side? A one-sided account of a dispute is a gap.

Exercises

Exercise 1

Choose three markets from the table and give, for each, one fact about a Korean platform's entry and one about what is said to have followed. Then name two services that closed or were announced to close, with the dates the articles give.

Exercise 2

Describe the three translation models and the print-reworking practice the articles name, and say what is unsourced about the Solo Leveling sales claim.

Exercise 3

Define scanlation as the Scanlation article does, give two Korean-side events it reports, and explain why this chapter says the sources present only one side of the piracy argument.

Quick Reference

  • Global launch: Line Webtoon, 2 July 2014; renamed Webtoon 2019
  • Closures: XOY (Japan) December 2018; Kross Komics (India) 2023; Piccoma France/Europe 30 September 2024; Kakao Webtoon/Tapas announced changes (September 2026 claim)
  • Models: translate in-house; license translations; fan translations inside the platform; reworked "printoonized" print editions
  • Claims: 900,000 copies of the first six Solo Leveling volumes in France; 200,000 TopToonPlus subscribers in a month
  • Piracy: scanlation is fan translation without permission; 2020 and 2021 actions by artists and Lezhin; a Korean–Interpol investigation
  • Check: the Kross Komics dates, every "unprofitable" reason, the French sales claim, the other side of the piracy argument

Next chapter: Creators and the Industry, which covers who makes webtoons, what the sources say about pay, contracts and working conditions, and how to read claims about "overnight success".