Faust's Shadow

German Literature

Course 1 · Chapter 10 · Capstone: Faust's Long Shadow

This last chapter does two things. It looks at the German-language writing of the generation since reunification, and it follows one thread through the whole course: the ambitious bargain, a person who reaches for more than the world allows and pays for it. The thread runs from the Faust book of 1587 through Goethe to Thomas Mann's Doktor Faustus, and it gives a way of reading the changes in German writing across four centuries. The chapter ends with a timeline, a table of myths, and a six-question method for testing claims about literature. Names and dates are from general knowledge and flagged "check".

Contemporary Voices

Writer and work (check each)Note
W. G. Sebald (1944 to 2001)Born in Bavaria and lived in England. Die Ausgewanderten (The Emigrants, 1992) and Austerlitz (2001) blend memoir, fiction and photographs in long, wandering sentences about memory and the Holocaust.
Bernhard Schlink (born 1944)Der Vorleser (The Reader, 1995) is about a young man's affair with an older woman who proves to have been a camp guard, and about the question of guilt across generations.
Herta Müller (born 1953)A Romanian-German writer from the Banat region who emigrated to West Germany in 1987. Herztier (The Land of Green Plums) draws on life under the Ceaușescu dictatorship. Nobel Prize 2009 (check).
Daniel Kehlmann (born 1975)Die Vermessung der Welt (Measuring the World, 2005), a comic novel about Gauss and Humboldt, was a huge international success.
Jenny Erpenbeck (born 1967)Born in East Berlin. Gehen, ging, gegangen (Go, Went, Gone, 2015) is about refugees in Berlin, and her novel Kairos, set in the late GDR, won the International Booker Prize in 2024 (check).
  • Themes. Memory and the Holocaust, the legacy of the GDR, migration and the question of who counts as German.
  • Translation. As in Hungary and elsewhere, reach abroad depends on translators and prizes (check the translators of each).
  • Beyond Germany. Austrian, Swiss and migrant-background writers in German widen the picture (check); this course has kept to the German story.

The Thread: The Ambitious Bargain

1587: the warning

In the Faust book (Chapter 3), a learned man sells his soul for knowledge and power and is damned. The message is a Protestant warning against going beyond limits.

1808 and 1832: the wager

In Goethe's play (Chapter 5), Faust bets that no moment will satisfy him. He errs, destroys Gretchen, strives to the end and is saved. Striving is now both danger and value.

1947: the catastrophe

In Doktor Faustus, Thomas Mann tells the story of a composer who makes a pact for genius, as an allegory of Germany's path to Nazism, written in exile (check). The bargain is now a national tragedy.

Reading with the thread Other chapters fit the pattern: Siegfried and Kriemhild's vengeance (Chapter 2), the war-ruined world of Grimmelshausen (Chapter 3), Werther's overreaching feeling (Chapter 4), Hoffmann's artists driven mad (Chapter 6), Fontane's honour code (Chapter 7), and Mann's and Grass's responses to the Nazi years (Chapters 8 and 9). Not everything fits, and a reader should be wary of a thread that explains too much. It is a way to read, not a law of German culture.

A Timeline

Period (check each)Landmark
About 1200Nibelungenlied, Parzival, Walther (Chapter 2)
1522 to 1587Luther's Bible and the Faust book (Chapter 3)
1770s to 1805Sturm und Drang and Weimar (Chapters 4, 5)
1808 to 1832Faust Parts One and Two (Chapter 5)
1798 to 1850Romanticism and the Grimms (Chapter 6)
1830s to 1890sBüchner to Fontane and Nietzsche (Chapter 7)
1900s to 1933Kafka, Rilke, Mann, Brecht (Chapter 8)
1933 to 1989Exile, division and the postwar voice (Chapter 9)
1990 onwardSebald, Müller, Kehlmann, Erpenbeck (this chapter)

Myths and Evidence

Common claimWhat to check
"Luther created modern German."A written standard was forming already; Luther helped spread it (Chapter 3).
"Goethe is German literature."Look at the range of his contemporaries and successors (Chapters 1 and 5).
"The Grimms just wrote down peasant tales."Compare editions and sources (Chapter 6).
"Werther caused a wave of suicides."Reports, bans and later legend differ (Chapter 4).
"Nietzsche was a Nazi philosopher."Check editing, sources and his own statements (Chapter 7).
"German writers either supported the Nazis or left."Look at each person's evidence (Chapter 9).

A Six-Question Method

  1. Who says it? A critic, a translator, a publisher or a politician?
  2. What is the evidence? The text, a letter, a review of the time, or a later memory?
  3. When was it written? Near the events, or long afterwards?
  4. Which translation? Does the claim depend on one translator's choice?
  5. Who gains? Does it serve a nation, a school, a party or a sales campaign?
  6. What would change my mind? What evidence would show the claim to be false?
A worked example Claim: "Goethe's Faust is the story of the German national character." Apply the method. Who says it? Many nineteenth-century critics and nationalists. Evidence: the play, which has no such statement and offers many readings. When? Much of the claim dates from the period of unification and later. Translation: the claim usually rests on summaries, not on the text. Who gains? Those who wanted a national epic. What would change my mind? Evidence that Goethe or his early readers saw it this way. Result: a claim made about the play by later readers, which the text does not require, so label it "interpretation" and not "fact".
A British comparison British writers also tell the story of the overreaching figure, from Marlowe's Doctor Faustus and Milton's Satan to Mary Shelley's Frankenstein (Chapter 6). The question of whether a national character can be read from a national literature has a close parallel in the way Shakespeare and Dickens are used to explain "Englishness".
Check the details Dates, prizes and the status of contemporary reputations should be verified against current sources. This course is an overview from general knowledge, and its flagged items serve as a reading and fact-checking list.

Exercises

Exercise 1

Trace the ambitious-bargain thread through at least four chapters, and say where the thread does not fit.

Exercise 2

Apply the six-question method to the claim "Luther created modern German", or another claim from the course, and give a verdict.

Exercise 3

Compose a reading plan of five German-language works in English translation, justifying each choice and noting which translation to look for.

Quick Reference

  • The thread: the ambitious bargain, 1587 to 1947
  • Contemporary: Sebald, Schlink, Müller, Kehlmann, Erpenbeck (check)
  • Method: who, evidence, when, translation, who gains, what would change my mind
  • Habit: mark unproven claims as "claimed" or "interpretation"
Course complete You have finished German Literature: the idea of a literature without a single capital, the medieval voices, Reformation and Baroque, the Enlightenment and Sturm und Drang, Weimar and Faust, Romanticism, realism, modernism, exile and division, and the contemporary voices, with a method for testing claims. Related courses include The Brothers Grimm & German Fairy Tales, German Music, German Film & Television and Bauhaus & German Design.