Adults and Auteurs
Franco-Belgian Comics: Bande Dessinée
Course 1 · Chapter 6 · Adults and Auteurs: Moebius, Métal hurlant and the 1970s
By the end of the 1960s the readers of Pilote had grown up, and some of its artists wanted to make comics for them. The 1970s saw the founding of magazines for adults, a satirical press with a famous cartoonist roll of honour, and a science-fiction magazine whose images reached Hollywood. This chapter follows that change and shows how the idea of an author, a creator with a personal voice, came to the centre of French-language comics. Names, dates and figures are from general knowledge and flagged "check".
The Satirical Press
Hara-Kiri (1960)
A monthly that called itself journal bête et méchant ("stupid and nasty newspaper"), founded by François Cavanna and Georges Bernier (known as Professeur Choron) with cartoonists including Reiser, Cabu and Wolinski (check). Coarse, irreverent and anti-establishment, it set the tone of French adult cartooning.
Charlie Hebdo (1970)
After Hara-Kiri Hebdo was banned in 1970 for a cover mocking the death of Charles de Gaulle, the team relaunched as Charlie Hebdo (check). It became the best-known satirical weekly in France and a regular source of argument about the limits of satire.
A tragedy
In January 2015 two gunmen attacked the magazine's offices in Paris and killed twelve people, among them several of its cartoonists, including Cabu, Wolinski, Charb and Tignous (check the names and number). The attack, which was an act of terrorism, led to large demonstrations in France and a worldwide debate on free expression.
Leaving Pilote: The New Magazines
| Magazine (check each) | Note |
|---|---|
| L'Écho des savanes (1972) | Founded by Gotlib, Nikita Mandryka and Claire Bretécher after they left Pilote, as a magazine of humour for adults, with sex, politics and satire of daily life. Bretécher's strip Les Frustrés (1973) in Le Nouvel Observateur satirised Parisian left-wing intellectuals. |
| Fluide Glacial (1975) | Gotlib's second venture with Jacques Diament: a humour magazine of the absurd, with grotesque and parodic series, which has run ever since (check). |
| Métal hurlant (1975) | A science-fiction and fantasy magazine published by the group Les Humanoïdes Associés, founded by Jean Giraud (Moebius), Philippe Druillet, Jean-Pierre Dionnet and Bernard Farkas (check). Large format, full colour, adult themes and richly drawn. |
| (À suivre) (1978) | A monthly from the publisher Casterman for longer serial novels in comic form (check), preparing the ground for the graphic novel (Chapter 7). |
Moebius
- The look. Vast landscapes, strange machines, tiny figures, and a free, imaginative use of the page. It was a deliberate break from the tight, plot-driven page of the Belgian weeklies.
- The influence. His designs were used in films, and critics often cite Métal hurlant as an influence on the look of science-fiction cinema of the late 1970s and 1980s, including Alien and Blade Runner; Giraud worked directly on a number of films (check which, and how much; the influence is argued).
- The export. An American edition, Heavy Metal, began in 1977 and brought the French artists to a wide English-language audience (check).
- Other voices. Druillet's operatic Lone Sloane, Mandryka's Le Concombre masqué and many more (check).
The Author Arrives
These magazines shared an idea: the comic creator is an author, with a personal vision, not a craftsman working for an editor. Artists signed their work and kept their characters, and critics started to treat comics seriously. Readers, now adults, bought albums for themselves. The idea has a long reach into the later chapters: the graphic novel (Chapter 7), the independent press, the festival prizes (Chapter 9). It also changed what the content could be: sex, violence, politics and philosophy appeared in comics, and with them arguments about censorship. In France a 1949 law governing publications for young people had long shaped what could be printed for the young, and the adult magazines were partly a way round it (check the law and its effects).
Exercises
Explain why artists left Pilote to found new magazines in the 1970s, and what each of the two main ventures offered that Pilote did not.
Critics claim that Métal hurlant influenced Hollywood science fiction. Say what evidence would support the claim and what would weaken it.
Describe the French satirical cartoon tradition from Hara-Kiri to Charlie Hebdo, and the arguments about its limits, giving both sides without taking one.
Quick Reference
- Satire: Hara-Kiri (1960), Charlie Hebdo (1970); attack on the office, January 2015
- New magazines: L'Écho des savanes (1972), Fluide Glacial (1975), Métal hurlant (1975), (À suivre) (1978)
- Moebius (Jean Giraud, 1938 to 2012): Arzach, L'Incal with Jodorowsky; "Gir" for Blueberry
- Idea: the comic creator as author
- Export: Heavy Metal (US, 1977)